Monday, March 30, 2009

Hollow of Darkness

Every time someone mentions TS Eliot I get this burning desire to read this poem. I picked up a complete collection of Eliot plays and poem and read almost all of the poems following our history class today which made reference to Eliot, and I can't help sharing.

The reason I love The Hollow Men is that it recalls the themes from one of my favorite books, Heart of Darkness. Kurtz, mentioned in the second epigraph, is, in my very humble opinion, the best representation of darkness in all symbolic literature. Kurtz is a "Paper mache Mephistopheles" (best description of any character ever. just sayin.), a hollow man. C.S. Lewis describes such men as "Men Without Chests" (sort of. there is nuance between the arguments, but they are fundamentally the same.)

Don't get impatient and stop reading halfway through--the end is the most dramatic line of doom and it will send shivers down your spine and haunt you for at least a few days.

Mistah Kurtz—he dead.

A penny for the Old Guy

I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.


Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.

4 comments:

Matt Shafer said...

I'm doing my term paper on "Heart of Darkness", "Doubt" (the 2004 pulitzer-prize-winning play by John Patrick Shanley), and the story of Original Sin in Genesis 3...

Samantha said...

I'm pretty sure you should send that to me when it's done. I haven't read Doubt (yet! it's on my list, thanks to my theatre prof), but the interplay between the other two alone is incredible.

Adrienne Renea said...

loved these last couple of posts. you have a gift for provoking thought, my friend. thank you so much for the intellectual food...I'm no longer feeling starved :)

Unknown said...

This is a really complex poem with numerous allusions. I am in AP American Literature and I attend Grand Blanc High School and I am having a hard time making sense of everything. If you understand the poem, I think it would be so kind of you to do some sort of annotation for the rest of us. Thank you!